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Friday, August 30, 2013

Film Review: Satyagraha is a bad script with good actors

The film could have been so much more had it taken the Madras Cafe route and made an honest, hard-hitting film.
Film still
Film still

Rating: **1/2
Directed by: Prakash Jha
Starring:
 Amitabh Bachchan, Ajay Devgn, Kareena Kapoor Khan, Arjun Rampal, Manoj Bajpai
 and Amrita Rao

What it's about:
If you ask me if Satyagraha is based on Anna Hazare and his whole movement, I will
 have to say yes. Even though everyone connected to the film has denied that.
 There are just too many coincidences for me to call this film a work of fiction.  Yes, large
dollops of fictional elements have been added to the script but it's too easy to guess who
is playing who here. Dadu's aka Dwarka Anand (Amitabh Bachchan) fight against corruption 
is no different from Anna's movement, then there is his 'deputy' Manu (Ajay Devgn) who could 
easily pass off as Arvind Kejriwal. The whole political scenario at that time, the support of the 
opposition, the police action, the participation of the youths, the maligning of the party members, the disillusionment of the public, and finally formation of the party…We witnessed all this not too long ago..
What's good: 
Satyagraha has all the ingredients for a good film. A subject that is still fresh in people's
minds, a big star cast, a huge budget, a big banner. Director Prakash Jha takes up the
issues (corruption and dirty politicians) that plague this nation. There is enough
anger/frustration amongst people, if Satyagraha's purpose was to reminds us that nothing
changed even after the movement, the rallies and the noise on the social network, it succeeds. 
The film will make you angry and make you feel helpless, powerless…it's all too real.. too close home. Maybe that it the director's intention. Which is why he should have done this docudrama style.
 It would have been more effective and relevant.  Drama and emotions are the director's strengths
and he excels in the scenes between Dwarka-Manu, Dwarka-Sumi (Amrita Rao) Manu-Yasmin (Kareena Kapoor). Some times an actor lets a script down, at other times the script lets an actor down. Satyagrahabelongs to the latter. It is laden by superb performances by it's cast.
  Ajay Devgn is in his comfort zone, yet another subdued and impactful performance but
this role has a seen-that quality, Arjun Rampal and Manoj Bajpai are brilliant but it is
 Amitabh Bachchan who stays with you. Don't ever let this actor convince you he has already
 delivered his best performance. He just betters himself, and leaves you speechless and
 more than a little in awe. Kareena is sincere but let down by a poor role.

What's bad: 
The thing that troubles me is: why make a fictional version of a subject like this?
 The only valid reason seems to be to not piss off the powers that be. To ensure a release.
 Admitting this is based on the Anna Hazare movement would have meant many hurdles.
 From political pressure to censor trouble to say the least. So director Prakash Jha choses
to call this a drama/love story, thereby defeating the whole message/point of making a film
like this. You can't make a film about what is wrong with the system, while surrendering to
 the system. It is a cop-out.Satyagraha could have been so much more had it taken the Madras
 Cafe route and made an honest, hard-hitting film. The bollywood-isation of the film is what
ruins it. Another thing that jars in the film is Kareena's character. For some reason she is seen smiling through out the protests/rallies while filming them. Her hair is perfectly blow-dried, face too
made up,  which would have been fine had she been reading news in a studio, and not part
of the ground team doing a report. But that is the least of my grouses with her character.
 She moves into the house of the person who she is covering, is seen on stage with them,
 becomes part of the movement…all while filing stories! A journalist can never do that.
 The reporting has to be unbiased, irrespective of the reporter's personal view on the
 subject. And which channel will allow one of their reporters/editors to openly align
 themselves to a campaign? What else is wrong?  The songs. This film did not need
songs. Certainly not actors lip-syncing them. The film begins with a song in which the
 item girl gyrating in bar dancer attire, the crowds are dressed in a trendy nightclub
 ensemble -- WTF moment. 

What to do:
Watch it for Big B's performance. It would be a shame to miss that.

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